
Illustrations
Browse all32 images extracted from 10 books
This refined engraving captures a scholar in his study, surrounded by the tools of intellectual inquiry. The presence of the globe and the open book emphasizes the Enlightenment-era pursuit of global knowledge and the importance of the written word in shaping the modern worldview.
This refined engraving captures a scholar in his study, surrounded by the tools of intellectual inquiry. The presence of the globe and open volumes emphasizes the period's dedication to empirical knowledge and the exploration of the natural world.
This finely executed engraving captures a solitary figure in period attire, set against a serene, expansive landscape. The work exemplifies the technical precision of the era, using delicate crosshatching to convey both the texture of the subject's clothing and the depth of the distant horizon.

This intricate woodcut depicts the goddess Durga, the embodiment of divine feminine power, triumphing over the buffalo demon Mahishasura. She is flanked by her children—Ganesha, Lakshmi, Sarasvati, and Kartikeya—while the god Shiva watches from the celestial arch above, illustrating the classic Puranic narrative of cosmic order restored.
This refined engraving captures a scholar in his study, surrounded by the tools of intellectual inquiry, including a terrestrial globe and volumes of knowledge. The composition emphasizes the humanist ideal of the learned man, whose mastery of the world is reflected in his contemplative posture and direct engagement with the viewer.
This fine engraving presents a contemplative figure set against a sprawling, atmospheric landscape. The juxtaposition of the individual with the distant urban and natural environment reflects the humanist interest in the relationship between man and the world during the Renaissance.
This intricate emblem represents a synthesis of Eastern spiritual concepts, likely from a late 19th or early 20th-century Theosophical publication. At its center is the sacred syllable 'Om' radiating light, linked by a blossoming vine to a base of fire and lotus leaves, symbolizing the ascent of consciousness from the material to the divine. The scroll at the bottom bears the Sanskrit mantra 'Om Tat Sat,' often translated as 'Om, That is Truth,' affirming the ultimate reality of the divine.
This refined portrait depicts a scholar surrounded by the tools of his trade, emphasizing the connection between physical exploration and intellectual inquiry. The inclusion of the globe and the library setting serves to elevate the subject as a man of both worldly knowledge and academic rigor.
This refined engraving captures a scholar in a moment of quiet contemplation within his study, surrounded by the tools of his intellectual trade. The meticulous crosshatching and attention to the subject's posture reflect the high standards of 17th-century portraiture, serving as a testament to the era's reverence for humanistic learning.
Visual Art
Browse all art →60 works of visual art in this collection
Green Tara
Aniko (Nepalese, active in Tibet mid- to late 1200s)
The Buddhist deity Green Tara seated in the posture of royal ease on a lotus throne within an ornate architectural gateway.
Diptych of Kali / Tara, wrathful protectors
Calcutta Art Studio
This diptych depicts the Hindu goddesses Kali and Tara in their wrathful forms, both standing upon the bodies of the supine god Shiva.
Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series
Devidasa of Nurpur
The Hindu deities Shiva and Parvati are depicted sitting on a tiger skin, playing a game of chaupar (a cross-shaped board game).
Kali, the wrathful protector (Shri Shri Kali) (recto); Kali (verso)
G. C. Dass
The Hindu goddess Kali is depicted as a four-armed, black-skinned deity with a protruding red tongue, holding a bloodied scimitar and a severed human head, standing within a decorative architectural arch.
Lovers (Mithuna)
India, Madhya Pradesh, Khajuraho, Medieval period, Candella dynasty, 11th century
A sandstone relief sculpture depicting a couple in a mithuna, or amorous embrace, standing in an intimate pose with their bodies pressed together.
Mithuna (Loving Couple)
India, Orissa, early 14th Century
A Mithuna couple, a man and a woman, are depicted in an intimate erotic embrace beneath an architectural arch, with the man seated behind the woman, holding her face and touching her lips with his fingers.
Agni, God of Fire
India, Uttar Pradesh
The Hindu deity Agni, god of fire, stands centrally surrounded by multiple smaller attendant figures and his mount, a ram.
Mandala of the Sun God Surya
Kitaharasa
A mandala depicting the Sun God Surya seated in a chariot pulled by seven horses, surrounded by a retinue of attendants, planetary deities, and secondary figures in registers.
Leaves from an Ashtasahasrika Prajnaparamita Sutra
Mahavihara Master
The green-skinned deity Green Tara sits in lalitasana on a lotus throne, flanked by two smaller attendant figures, while flanked by two columns of Sanskrit text.
Rama Releases the Demon Spies Shuka and Sarana: Folio from the Siege of Lanka series
Manaku
Rama and his allies are depicted in a council on the right, while the demon king Ravana and his spies Shuka and Sarana are seen on the walls of the fortress of Lanka on the left.
Kali on Shiva, from a Tantric Devi Series
Northern India, Pahari kingdoms
The Hindu goddess Kali, depicted with black skin and four arms, kneels atop the prone, pale-skinned body of the god Shiva on a cremation pyre, holding a severed head in one hand and a sword in the other.
Tantric Devi on Shiva, from a Mandi Devi Series
Northern India, Pahari kingdoms
The goddess Kali, depicted with blue skin and a third eye, stands atop the supine, pale-skinned body of the god Shiva in a cremation ground, holding a severed head and various weapons.
Amorous Couple (Mithuna)
Northern India, Uttar Pradesh, Ahichchatra, Gupta period (c. 320-550)
A terracotta relief depicts a Mithuna, or amorous couple, seated together in a relaxed embrace, with the male figure resting his left arm on the female figure's shoulder.
Krishna and the Gopis Gather for Rasamandala
Northwestern India, Rajasthan, Rajput Kingdom of Kota
The blue-skinned deity Krishna performs the Rasamandala (circular dance) with a large group of Gopis (cowherd maidens) in a nocturnal forest setting.
The Birth of Krishna, from a Sursagar of Surdas (Indian, c. 1480–1580)
Northwestern India, Rajasthan, Rajput Kingdom of Mewar
The painting depicts the birth and subsequent celebrations of the infant Krishna, featuring Devaki reclining on a bed, the newborn infant, and Nanda surrounded by jubilant courtiers, musicians, and dancers.
The intellectual and spiritual traditions of the Indian subcontinent, preserved in their original languages. From the Vedic hymns composed over three millennia ago to the sophisticated philosophical systems of Kashmir Shaivism and the great epics that shaped Asian civilization.
This collection prioritizes original-language editions — Sanskrit, Pali, and Prakrit texts in their earliest reliable print forms, including landmark series like the Kashmir Series of Texts and Studies (KSTS) and the Sacred Books of the East.
All Books
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