Animal Magnetism & Mesmerism

This striking engraving depicts a fantastical chimera, a hybrid creature combining a bearded human head and legs with bat-like wings and three serpentine necks topped by solar faces. Published in 1784, the image likely serves as a satirical or symbolic commentary on the controversial practice of 'animal magnetism' (Mesmerism) that fascinated and divided French society at the time. The intricate detail and bizarre composition reflect the era's preoccupation with the boundaries between science, mysticism, and charlatanism.

This striking red line drawing serves as a bookplate for the Andover-Harvard Theological Library, featuring a stylized depiction of St. Jerome (Hieronymus). Jerome, traditionally shown as a scholar in his study, is here rendered with bold, modern lines that bridge the gap between ancient tradition and contemporary design. The image underscores the library's mission as a center for theological research and historical preservation.

This intricate engraving displays the royal coat of arms of France, featuring three fleurs-de-lis supported by two celestial figures and topped with a crown. It signifies that this report on 'animal magnetism' (Mesmerism) was published by the Imprimerie Royale under the direct authority of King Louis XVI. The presence of such formal heraldry underscores the state's official investigation into the controversial scientific claims of the era.

This emblem, titled 'Philosophia Hermetica,' features the iconic 'pelican in its piety,' a symbol of self-sacrifice and the alchemical process of purification. Below the pelican, a shield displays four roses, likely referencing Rosicrucianism or the four elements. The image serves as a visual summary of Hermetic wisdom, emphasizing the transformative power of spiritual and physical labor.

This modern bookplate for the Andover-Harvard Theological Library features a stylized portrait of Saint Jerome (Hieronymus), the patron saint of librarians and scholars. Rendered in bold red lines, the image depicts the saint in a moment of scholarly reflection, bridging traditional religious iconography with 20th-century graphic design. The minimalist, geometric approach highlights the enduring legacy of Jerome's work in a contemporary context.

This gold-stamped illustration from the cover of Deleuze's 'Practical Instruction in Animal Magnetism' depicts a mesmerist and his subject in a typical seated position, hands joined to facilitate the flow of 'magnetic fluid'. This image serves as a visual summary of the book's contents, illustrating the intimate and focused nature of 19th-century magnetic therapy.

This intricate ex-libris belongs to Charles Atwood Kofoid, a prominent American zoologist known for his work in marine biology. The design reflects his professional and personal interests, juxtaposing a traditional library setting with a detailed cross-section of marine life and a research vessel, symbolizing his significant contributions to biological science.