


Illustrations
Browse all4 images extracted from 4 books

This illustration depicts a lively game of polo, a sport with deep roots in Persian history. The scene features horsemen with mallets and spectators, rendered in a style that evokes traditional Persian miniatures, reflecting the 19th-century fascination with Eastern culture and the Rubaiyat's origins.

This portrait depicts the Persian philosopher and theologian Al-Ghazali in traditional scholarly attire, holding a book to symbolize his intellectual contributions. The woodcut-style illustration serves as a visual introduction to the author of this influential spiritual autobiography.
This ornate frontispiece showcases the exquisite artistry of Islamic manuscript tradition, featuring intricate Arabic calligraphy set within elaborate decorative borders. The composition includes several circular seals at the base, likely indicating ownership or institutional provenance, and exemplifies the fusion of text and ornament in early modern scholarly works.

This emblem serves as the bookplate for the Boston Public Library, featuring two putti holding torches that illuminate a central medallion containing an open book. The Latin motto 'LVX OMNIVM CIVIVM' (Light of all citizens) underscores the library's mission to provide knowledge and enlightenment to the public. The design incorporates classical motifs such as dolphins and laurel branches, reflecting the 19th-century interest in Greco-Roman aesthetics.
Visual Art
Browse all art →20 works of visual art in this collection
The Fabulous Creature Buraq
Anonymous (Deccani)
This painting depicts the Buraq, a celestial mount from Islamic tradition, possessing a human head and a composite body formed of various animals.
Lovers and Beloveds — Composite Scenes from Persian, Urdu, and Sanskrit Literature
Anonymous (Late Mughal)
A composite scene depicting multiple clusters of figures, including royal or divine figures seated in pavilions, ascetics, and courtly attendants, set within a tiered architectural space.
Layla and Majnun in the Wilderness — Khamsa
Anonymous (Mughal)
The Persian literary figures Layla and Majnun are depicted together in a rocky, wildlife-filled wilderness, with Majnun emaciated and Layla visiting him from her camel-borne litter.
Lovers Parting — Page from a Book of Fables
Anonymous (Mughal)
A Mughal-era illustration depicting a man and a woman in a rocky landscape encountering a large green snake, with two foxes in the foreground.
Prince and Ascetics — Late Shah Jahan Album
Anonymous (Mughal)
A central scene depicts a prince or nobleman seated with two ascetics near a tree and a stream, surrounded by a border populated by various solitary holy men and figures.
Portrait of a Kneeling Holy Man — Prince Salim Album
Anonymous (Mughal, court of Akbar)
A painting depicting a bearded holy man or dervish kneeling in a posture of contemplation against a plain ochre background.
Illuminated Folio — Gulistan (Rose Garden) of Sa'di
Anonymous (Safavid)
A central calligraphic panel containing Persian verse surrounded by a gold-painted border depicting qilin (mythical composite creatures) amidst flowering trees.
Illuminated Frontispiece — Bustan of Sa'di
Anonymous (Safavid)
This is an illuminated frontispiece (sarlawh) from a 1514 CE manuscript of the 'Bustan' by the Persian poet Sa'di.
King Khusrau and His Beloved Shirin — Khamsa
Anonymous (Safavid)
The Persian monarch Khusrau Parviz and his beloved, the Armenian princess Shirin, are depicted seated together in a tented landscape while a musician plays a rubab nearby.
Princess with Wine Bottle and Cup
Anonymous (Safavid)
A standing female figure in Safavid court attire holding a long-necked wine ewer and a small shallow cup.
Sleeping Youth
Anonymous (Safavid, Isfahan)
A young man in traditional Safavid attire sleeps beneath a willow tree, with a musical instrument (tambur) placed nearby.
Youth Holding a Pomegranate
Anonymous (Safavid, Isfahan)
A standing youth in Safavid courtly attire holds a pomegranate in their right hand.
Youth Seated by a Willow
Anonymous (Safavid, Isfahan)
A Safavid youth seated in a garden setting, accompanied by a small wine decanter.
Bahram Gur Visits the Princess of India in the Black Pavilion — Khamsa
Anonymous (Timurid)
The Sasanian king Bahram Gur is depicted resting in the Black Pavilion while visited by the Indian princess.
Muhammad's Call to Prophecy and the First Revelation
Anonymous (Timurid)
The Prophet Muhammad receives the first revelation from the Archangel Gabriel on Mount Hira.
Rumi, Al-Ghazali, Ibn Arabi, and the great Sufi masters — in Arabic, Persian, and Urdu alongside English. Mystical poetry, philosophical treatises, and devotional practice.
All Books
Browse Full Catalog→54 books in this collection