Library

Indic Traditions

Vedas, Yoga, Tantra & Buddhist Texts

864 booksSanskrit, English, Tamil

Illustrations

Browse all

500 images extracted

A complex astrological grid or 'Chakra' used in Vedic astrology, featuring a square grid with horizontal and vertical lines enclosed in a scalloped border containing Sanskrit syllables.

This intricate diagram is a 'Chakra' from the Jyotirvidabharanam, a classical Sanskrit text on astrology. It serves as a computational tool for astrological predictions, with the grid and surrounding Sanskrit characters representing various celestial positions and influences. Such diagrams were essential for practitioners of Jyotisha (Vedic astrology) to calculate planetary movements and their perceived effects on human affairs.

diagram
A colorful geometric grid diagram known as a Sarvatobhadra Chakra, used in Vedic astrology and rituals.

This vibrant geometric diagram is a Sarvatobhadra Chakra, a sacred grid used in Hindu rituals and Vedic astrology for planetary propitiation (Graha Shanti). The central lotus and the specific arrangement of colored squares represent a cosmic map used to invoke various deities and celestial powers. This illustration from a 1920 Sanskrit text exemplifies the traditional use of color and geometry in Indian spiritual practices.

diagram
The official seal of the Theosophical Society, featuring an ouroboros, a hexagram, an ankh, and a swastika.

This emblem is the official seal of the Theosophical Society, founded in 1875. It incorporates symbols from various traditions—the Egyptian ankh, the Hindu swastika, the Jewish hexagram, and the Gnostic ouroboros—to represent the synthesis of science, religion, and philosophy.

emblem
A North Indian style astrological chart (Kundli) showing the twelve houses (bhavas) with their respective names and numbers in Sanskrit.

This diagram represents a traditional North Indian astrological chart, known as a Kundli, from the 10th-century Sanskrit text 'Chamatkara Chintamani'. It illustrates the twelve houses of the zodiac, each labeled with its primary name and numerical order, serving as a fundamental tool for astrological calculations and interpretations in Vedic tradition.

diagram
A complex astrological diagram or 'chakra' from a Sanskrit manuscript, drawn in red ink. It features nested geometric shapes on the left and three tabular grids on the right, all containing Devanagari script.

This intricate diagram, rendered in red ink, represents various 'chakras' or astrological charts used in traditional Indian divination. The left portion shows a nested rectangular structure, while the right features three distinct grids labeled for different types of predictions. Such diagrams were essential tools for practitioners of Jyotisha (astrology) to calculate and visualize celestial influences.

diagram
North Indian style astrological chart (Kundali) with Devanagari script

This diagram represents a traditional North Indian astrological chart, known as a Kundali. It features a square grid divided into twelve houses, used to map the positions of celestial bodies at a specific moment. Such diagrams were essential tools in Jyotish (Vedic astrology) for making predictions and determining auspicious timings.

diagram
A technical diagram illustrating the flight paths, ranges, and speeds of an airplane and a dirigible over a coastal landscape, with annotations in Telugu.

This diagram from a Telugu publication illustrates early aviation technology, comparing the capabilities of an airplane and a dirigible. It features detailed annotations in Telugu regarding speed, range, and altitude, reflecting the global interest in aeronautics at the turn of the century. The illustration provides a fascinating glimpse into how modern scientific concepts were communicated in regional Indian languages during the colonial period.

diagram
Technical illustration of pigeon photography equipment, including a pigeon with a camera, camera mechanisms, and a mobile loft.

This detailed diagram illustrates the pioneering technology of pigeon photography from the early 1900s. It features a carrier pigeon equipped with a miniature breast-mounted camera, alongside technical views of the camera's shutter mechanism and a mobile horse-drawn pigeon loft. Such innovations represent early milestones in the history of aerial reconnaissance and remote sensing.

diagram
A multi-armed deity riding a blue animal, likely a bull or ram, in a South Asian manuscript.

This vibrant illustration depicts a multi-armed deity, possibly a form of the goddess Durga or another powerful divinity, seated upon her celestial vehicle. She brandishes a variety of symbolic weapons and objects, representing her diverse powers and role in maintaining cosmic balance. The use of bold outlines and a striking blue for the animal mount is characteristic of traditional South Asian manuscript illustration styles.

woodcut
View all 500 illustrations

60 works of visual art in this collection

Green Tarapainting

Green Tara

Aniko (Nepalese, active in Tibet mid- to late 1200s)

The Buddhist deity Green Tara seated in the posture of royal ease on a lotus throne within an ornate architectural gateway.

Durga Slaying the Buffalo Demon Mahishaobject

Durga Slaying the Buffalo Demon Mahisha

Anonymous (Central India)

A fragmentary stone sculpture depicting the Hindu goddess Durga in the act of slaying the buffalo demon Mahisha.

Varaha — Boar Incarnation of Vishnuobject

Varaha — Boar Incarnation of Vishnu

Anonymous (Central India)

A wide-mouthed, carinated sandstone vessel decorated with horizontal registers of swirling wave-like patterns and stylized figures of deer or ibex.

Tantric Buddha Vairochana as Vajrasattvapainting

Tantric Buddha Vairochana as Vajrasattva

Anonymous (Central Tibet)

This painting depicts the central figure of Vairochana in the guise of Vajrasattva, seated in meditation with his hands in the dharmachakra mudra, surrounded by a retinue of bodhisattvas and other deities.

Mahakala, Protector of the Tentpainting

Mahakala, Protector of the Tent

Anonymous (Central Tibetan)

The wrathful deity Mahakala (specifically the two-armed Panjarnata form) stands centrally, surrounded by an entourage of secondary protective deities and lineage lamas.

Monkey General Hanuman — Chola Bronzeobject

Monkey General Hanuman — Chola Bronze

Anonymous (Chola, South India)

This object is a small, rectangular bronze plaque featuring champlevé enamel decoration in geometric and floral patterns, likely used as an architectural or furniture fitting.

Nataraja — Shiva as the Lord of Danceobject

Nataraja — Shiva as the Lord of Dance

Anonymous (Chola, South India)

A bronze sculpture of the Hindu deity Shiva depicted as Nataraja, the Lord of Dance, performing the Ananda Tandava within a flaming circular aureole.

Siddhartha at the Bodhi Tree — Gandharaobject

Siddhartha at the Bodhi Tree — Gandhara

Anonymous (Gandhara)

A schist fragment depicting a yakshi or female attendant figure, often associated with Buddhist narrative reliefs from Gandhara.

Scenes from the Life of Buddha — Gandhara Reliefobject

Scenes from the Life of Buddha — Gandhara Relief

Anonymous (Gandhara, Kushan period)

A fragmentary schist relief depicting the torso and limbs of the Buddha, showing his characteristic posture and soft, idealized physique.

Diagrams of the Universe — The Two-and-a-Half Continentspainting

Diagrams of the Universe — The Two-and-a-Half Continents

Anonymous (Gujarat)

A miniature painting depicting a courtly scene with a prince on horseback encountering women, one of whom is on a swing, set within a lush landscape.

Goddess Durga Slaying the Demon Mahishaobject

Goddess Durga Slaying the Demon Mahisha

Anonymous (Indian)

The Hindu goddess Durga is depicted in her Mahishasura-mardini form, multi-armed and standing over the buffalo demon Mahishasura as she strikes him with a trident.

Yashoda with the Infant Krishnaobject

Yashoda with the Infant Krishna

Anonymous (Indian)

A copper alloy sculpture depicting Yashoda nursing the infant Krishna, a central episode from the life of the deity Krishna.

Krishna Killing the Horse Demon Keshiobject

Krishna Killing the Horse Demon Keshi

Anonymous (Indian, Gupta period)

The Hindu deity Krishna is depicted struggling with and killing the horse-demon Keshi.

Durga Destroying the Buffalo Demonobject

Durga Destroying the Buffalo Demon

Anonymous (Kashmir or Himachal Pradesh)

This stone sculpture depicts the Hindu deity Vishnu seated on his mount, the mythical bird-man Garuda.

Standing Shiva Mahadevaobject

Standing Shiva Mahadeva

Anonymous (Kashmir)

A gold solidus coin featuring the Byzantine Emperor Justinian I on the obverse and a winged Victory holding a cross on the reverse.

+45 more works

Texts from the Hindu, Buddhist, Jain, and syncretic spiritual traditions of South Asia. The collection spans from medieval Sanskrit manuscripts to nineteenth-century compilations, covering yoga, tantra, Vedic philosophy, jyotish (astrology), ayurveda, and devotional literature across multiple Indic languages.

Holdings include Purnananda Yati's Satchakranirupanam on the six chakras (1577), the Gheranda Samhita on hatha yoga (c. 1675), Daivagya Ramacharya's Muhurta Chintamani on electional astrology (1590), and the Surya Siddhanta astronomical treatise (1603 edition). The collection contains 63 first-ever English translations — primarily Sanskrit works on astrology, yoga, tantra, and Vedic ritual that have never before been available in English. These include texts on nakshatras, planetary remediation, nadi divination, and esoteric physiology.

Important Works

Significant texts that deepen understanding

Surya Siddhanta with the Exposition of the Hidden Meaning

Surya Siddhanta with the Exposition of the Hidden Meaning

Ranganatha, 1603

This monumental text synthesizes divine mythology with sophisticated mathematical astronomy, serving as a primary source for understanding ancient Indian cosmology and timekeeping.

Aryabhatiya with the Bhatadipika Commentary

Aryabhatiya with the Bhatadipika Commentary

Aryabhata, 1431First Complete Translation

Aryabhata's 5th-century work is a seminal text in Indian mathematics and astronomy, introducing concepts like place-value notation, trigonometry, and a geocentric model of the solar system.

The Correctly Established Doctrine of Brahma, Volume 2

The Correctly Established Doctrine of Brahma, Volume 2

Brahmagupta, 1817First Complete Translation

Brahmagupta's work is a pivotal text in the history of science, introducing the concept of zero as a number and laying down rules for arithmetic operations with negative numbers.

Compendium of the Essence of Mathematics

Compendium of the Essence of Mathematics

Mahaviracharya, 850

As the earliest Indian text entirely devoted to mathematics, this work by Mahaviracharya showcases advanced arithmetic, algebraic, and geometric concepts, marking a significant departure from astrological focus.

The Great Compilation

The Great Compilation

Varahamihira; ed. Baldev Prasad Misra, 1900

Varahamihira's encyclopedic work is a monumental synthesis of ancient Indian sciences, covering diverse topics from astronomy and meteorology to architecture, gemology, and social ethics.

The Jewel of All Meanings

The Jewel of All Meanings

Venkatesa Daivagya, 1350

This foundational pillar of Vedic Astrology offers an exhaustive exploration of the twelve houses of the natal chart, providing unprecedented detail for interpreting life's journey.

Nilakantha's Annual Astrology

Nilakantha's Annual Astrology

Nilakantha, 1587

Nilakantha’s work is a groundbreaking synthesis of traditional Indian astrology with Perso-Arabic (Tajika) systems, offering sophisticated methods for timing pivotal life moments.

Light on the Yoga of Force with Commentaries

Light on the Yoga of Force with Commentaries

Svatmarama, 1450

This classical manual presents Hatha Yoga as a powerful path to spiritual realization, detailing postures, breathing techniques, and purification practices for physical and mental mastery.

The Science of Breath

The Science of Breath

Unknown, 1898

This text presents a radical perspective on human existence, asserting that the breath is the "manifest Great Lord" and the essential animating principle, offering techniques for breath control and subtle body awareness.

This library is built in the open.

If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.